Officers of the 5th Horse Rifle Regiment of the 1st Armored Division go to Brussels, where they meet Joachim Lelewel. To verify the story, the press officer of the division goes to Brussels.

希夫（Shiv）、舒希拉（Shushila）和他们的儿子尼凯什（Nikesh）从尼泊尔来到波兰，他们相信那里有更美好的生活在等着他们。希夫为优步（Uber）工作，几乎很少在家；舒希拉在精神上仍然停留在自己的祖国，只和尼泊尔的家人保持联系；尼凯什是个青少年，他唯一的愿望就是给同龄人留下深刻印象。生活环境的改变让希夫……

The protagonists are three women - Eve, Elizabeth and Anna. Years ago, they performed in one musical group, then their paths diverged. Eve made a career in the US, Anna also stayed with music, but did not succeed, and Elisabeth devoted herself to her family. Their reunion years later stirs up old conflicts, reminds of unfulfilled hopes and hurt feelings.

18 years old boy struggles to make decisions about his future.

Hanka Ordonówna is a star of pre-war Polish cabarets. The film begins in 1942 in the Middle East, in a British military camp located near the front line. Hanka runs a shelter for homeless Polish children. In her moments of respite, the singer, who is suffering from tuberculosis, recalls the various stages of her career.

The final stage of the great artist's life, a stage in which Witkacy decides to destroy himself. A growing sense of danger, the futility of all actions, and fear of what is to come accompany him constantly during his escape from Warsaw to the East at the outbreak of World War II. Everyday facts and events are intertwined in the film with reminiscences and images from his life, supported by the artist's inner monologue. The style of narration and the way of filming make the film a poignant study of the writer's inner disintegration. By emphasizing the painterly quality of the image and introducing dreamlike themes, Kluba captures on screen the characteristics of both Witkacy's playwriting and painting.

Sylwia, a ballet dancer chosen for the lead in “Romeo and Juliet,” breaks her spine and faces a career’s end while her filmmaker husband Andrzej pursues his debut and an affair with his director’s secretary. Conflicted between love, ambition, and sacrifice, they and Sylwia’s devoted friend Agata navigate betrayal, recovery, and the chance for new beginnings.

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The young generation is not very at peace with the morality of their parents. In a story set in a Moravian village, the otherwise contented cooperators indulge in stealing from the common property without seeing anything wrong with such actions. After being reprimanded by their own children, they first get angry but then become ashamed. The result is a late agitational comedy that no longer deals with the peasants' entry into the agricultural cooperative, but with the mores prevailing there. The ideologically mature youth act as a guarantee of a happy future.